all photos

Visitation at the 32nd Bienal. On the left is Ruth Ewan’s installation ‘Back to the Fields’. On the right is Jonathas de Andrade’s film ‘O Peixe’ [The fish]

Dalton Paula, 'Rota do Tabaco' [Tobacco Route]

Partial view of the 32nd Bienal featuring Francis Alÿs’ series ‘In a Given Situation’ and Pia Lindman, ‘Nose Ears Eyes’

Jorge Menna Barreto, 'Restauro' [Restoration]

Bené Fonteles, 'Ágora: OcaTaperaTerreiro'

Ground floor of the 32nd Bienal featuring works by Tracey Rose, ‘A Dream Deferred (Mandela Balls)’ and Ruth Ewan, ‘Back to The Fields’

Ground floor of the 32nd Bienal featuring works by Frans Krajcberg, ‘Untitled’, Felipe Mujica, ‘Las universidades desconocidas’ [The Unknown Universities] and Bené Fonteles, ‘Ágora: OcaTaperaTerreiro’

Rachel Rose, 'Everything and More'

Eduardo Navarro, 'Sound Mirror'

The central space of the 32nd Bienal featuring Lais Myrrha’s 'Dois pesos, duas medidas' [Double Standard]

Pierre Huyghe, 'De-Extinction'

Installation by Lyle Ashton Harrys, 'Uma vez, uma vez' [Once, once]

Koo Jeong A, 'ARROGATION', in Ibirapuera Park

Opening of the 32nd Bienal for invited guests

Alicia Barney, 'Vale de Alicia' [Valley of Alicia]

Partial view of the 32nd Bienal featuring Vídeo nas Aldeias’ work ‘O Brasil dos Índios: um arquivo aberto’ [The Brazil of the Indians: An Open Archive]

Partial view of the 32nd Bienal with Ebony G. Patterson's work ‘...they were discovering things and finding ways to understand... (...when they grow up...’

Cristiano Lenhardt's performance ‘Uma coluna’ [A column] during the opening of the 32nd Bienal. In the foreground is Mariana Castillo Deball, ‘Hipótese de uma árvore’ [Hypothesis of a Tree]